Working
images.

Warm metallic tones and angled light turn the products into a small architectural arrangement. Surface, shadow and colour hold the composition together.

暖金屬色與斜向光線，將產品組成一座小型建築。表面、陰影與色彩，共同維繫畫面的秩序。

The first 19 seconds of the 40 Concept moving cover. Gesture and duration give the fashion image a rhythm of its own.

40 Concept 動態封面的前 19 秒。姿態與時間，為時裝影像帶來自己的節奏。

Alternating directions and open spaces turn five lipsticks into a composition of colour, metal and shadow.

方向的交替與空白的間距，將五支唇膏組成色彩、金屬與陰影的構圖。

An architectural advertising film, presented as part of Nailee Wang’s commissioned moving-image work.

建築廣告影片，收錄於 Nailee Wang 的委託影音工作。

The movement of a brush brings the photograph close to skin. A restrained composition lets touch, texture and the face carry the image.

刷具的動作，讓影像靠近肌膚。構圖保持節制，將觸感、紋理與面容留在視線中心。

A warm pink palette connects skin, fabric and product. Nailee Wang places the portrait and the bottle within a shared field of colour, with the hands carrying the eye between them.

Nailee Wang 以柔粉色調連起肌膚、衣料與產品，讓人像與瓶身落在同一片色彩之中，手部的姿態則引導目光在兩者之間移動。

The first 25 seconds of the ELLE interview, excerpted from Nailee Wang’s commissioned moving-image work.

ELLE 訪談的前 25 秒，節選自 Nailee Wang 的委託影音工作。

A face catches the light between dark surfaces and equipment. The photograph keeps the surrounding setup in view, allowing the portrait and the conditions of its making to occupy the same frame.

人物的臉從暗色的板面與器材之間承接光線。畫面保留四周的拍攝配置，讓人像與影像形成的條件同時存在。

Three palettes rest on transparent squares; colour, shadow and overlapping edges give the arrangement its depth.

三只色盤落在透明方形之上，色彩、陰影與重疊的邊緣，建立起畫面的深度。

Water catches the light around the bottles. Ripples and reflections extend the objects into the surrounding surface.

光落在瓶身周圍的水面上。波紋與倒影，讓物件的形狀延伸進四周的表面。

Seen through the silhouettes of camera and crew, the illuminated subject becomes one element in a larger arrangement. A strip of blue interrupts the warm light, making the working space part of the photograph.

透過攝影機與工作人員的剪影，受光的人物成為整個配置的一部分。一道藍色穿入暖光，讓拍攝空間本身也進入影像。

A line of gravel runs beside transparent blocks and polished packaging, setting rough and reflective surfaces in conversation.

碎石的線條穿過透明方塊與光潔包裝，粗糙與反光的表面，在排列中彼此呼應。

Four open bottles and their applicators form two parallel rows, giving colour a measured rhythm.

四只開啟的瓶身與刷頭排成兩列，讓色彩在間距之中形成節奏。

A profile holds the light amid reflective surfaces, lamps and dark equipment. The surrounding studio remains present, tracing the boundary between the finished portrait and the work around it.

側面的輪廓在反光板面、燈具與深色器材之間承接光線。攝影棚的周遭持續留在畫面裡，勾勒完成的人像與其外圍工作之間的界線。

Circular packaging meets the folds of pale fabric, with light drawing out their different contours.

圓形包裝與淺色布料的褶皺相遇，光線勾出各自不同的輪廓。

A face and a small gesture give this beauty photograph its scale. The image stays close enough for the quality of skin and light to remain visible.

一張面容與一個細微的手勢，決定了這幅美妝影像的尺度。視線停得夠近，肌膚與光的細節得以保留。

Slender pencils cross the folds of white fabric, their straight edges set against a softer diagonal movement.

細長的筆身橫過白色布料，筆直的邊緣與柔軟的斜向褶皺，在畫面中交會。

A photograph of the RMK Spring–Summer 2021 display, with flowers and products against a window onto the street.

RMK 2021 春夏陳列攝影。花材、產品與窗外街景在同一畫面中展開。

Colour becomes a point of contact between the portrait and the product. The close framing brings expression, skin and the gesture of application into one field of view.

色彩成為人像與產品相遇的地方。近距離的取景，將表情、肌膚與上妝的手勢放進同一個視野。

An event is also an arrangement of passing moments. This record sits within Nailee Wang’s commissioned moving-image work, where the atmosphere of an occasion takes shape over time.

一場活動也由接連流逝的片刻組成。這支影片收於 Nailee Wang 的委託影音檔案，讓現場的氛圍在時間裡逐漸成形。